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How to Protect Your Music Rights in NYC

As an independent artist in New York City, your music is more than creative expression—it is intellectual property with real financial value. Understanding how to protect your music rights is essential for building a sustainable career. This guide from an NYC entertainment attorney covers copyright basics, publishing, licensing, and the legal tools every artist should know.

Understanding Music Copyright

Every original song you create involves two distinct copyrights: the composition (the underlying music and lyrics) and the sound recording (the specific recorded performance). These two copyrights can be owned by different parties, which is why understanding the distinction is critical before signing any agreement.

Copyright protection attaches automatically the moment you fix your work in a tangible form—recording a song on your phone or writing lyrics on paper is sufficient. However, federal registration with the U.S. Copyright Office provides crucial additional protections, including the ability to sue for infringement, eligibility for statutory damages (up to $150,000 per willful infringement), and a public record of your ownership.

Registering Your Copyright

Filing a copyright registration is straightforward and inexpensive—the current filing fee is $65 for a single work through the electronic system at copyright.gov. For independent artists releasing multiple tracks, you can register an album as a single collection. We strongly recommend registering every original work before distributing or sharing it publicly.

Music Publishing: Who Owns What

Music publishing refers to the business of managing and monetizing the composition copyright. When you write a song, you are the publisher by default. However, many artists sign publishing deals that transfer some or all of their publishing rights to a music publisher in exchange for advances and administrative support.

The key revenue streams from publishing include mechanical royalties (earned when your composition is reproduced—streaming, downloads, physical copies), performance royalties (earned when your composition is performed publicly—radio, live venues, streaming platforms), synchronization (sync) fees (earned when your composition is used in film, TV, commercials, or video games), and print royalties (earned from sheet music sales).

Performance Rights Organizations (PROs)

As a songwriter, you should register with a PRO—either ASCAP, BMI, or SESAC in the United States—to collect your performance royalties. These organizations track public performances of your music and distribute royalties to you. Registration is free for ASCAP and BMI. Many NYC-based independent artists start with ASCAP or BMI and can change later, though you can only be a member of one PRO at a time.

Recording Contracts: What to Watch For

If a label or distributor offers you a recording contract, having an entertainment attorney review the agreement before signing is essential. Key provisions to scrutinize include the grant of rights (what rights are you giving up, and for how long?), royalty rates (what percentage of revenue do you receive, and how is revenue calculated?), recoupment terms (what expenses does the label recoup before you see royalties?), creative control (who has final say on artistic decisions, release dates, and marketing?), territory and term (does the deal cover the world, and for how many albums or years?), and reversion clauses (when and how do your rights revert to you if the label stops exploiting your music?).

A common mistake for independent artists is signing a deal that assigns ownership of master recordings to a label in perpetuity. Once you give up your masters, the label controls your recordings forever. In recent years, artist-friendly alternatives like licensing deals and distribution agreements have become more common, allowing artists to retain ownership while accessing label resources.

Sync Licensing: Getting Your Music in Film and TV

Synchronization licensing—placing your music in visual media—is one of the most lucrative opportunities for independent artists. A single sync placement in a major TV show or commercial can generate fees ranging from a few thousand to hundreds of thousands of dollars. To pursue sync opportunities, you need to own or control both your master recording and your composition (or have proper authorization from the rights holders), have high-quality, properly mixed and mastered recordings, register with a PRO to collect backend performance royalties from broadcasts, and consider working with a sync agent or music supervisor who can pitch your music.

Sync deals are negotiated individually, and having an attorney review the terms is important—particularly regarding exclusivity, territory, duration, and whether the fee is a one-time buyout or includes ongoing royalties.

Collaboration Agreements: Protecting Joint Works

When you co-write or co-produce a song with another artist, you create a "joint work" under copyright law. Without a written agreement, all co-creators are presumed to own equal shares of the work—regardless of their actual contribution. A collaboration or split sheet agreement should be signed before or immediately after the creative session.

The agreement should specify each person's ownership percentage, how decisions about licensing and exploitation will be made, how income will be divided and distributed, and who is responsible for administering the work. Disputes over song ownership are among the most common legal issues in the music industry, and they are almost always preventable with a simple written agreement.

Protecting Your Name and Brand

Your artist name, logo, and brand identity can be protected through trademark registration. Filing a federal trademark application with the USPTO costs $250 to $350 per class and provides nationwide protection against others using a confusingly similar name in the music industry. For NYC-based artists, we also recommend monitoring your name on social media platforms and domain registrars to prevent cybersquatting and impersonation.

How Agarunov Law Firm Helps NYC Artists

At Agarunov Law Firm, our entertainment law practice serves independent musicians, producers, songwriters, and labels throughout New York City. From our Financial District office, we handle copyright registration, contract review and negotiation, publishing administration guidance, sync licensing support, collaboration agreements, and trademark protection. Whether you are releasing your first single or negotiating a major deal, we provide the legal guidance you need to protect your art and your income.

Frequently Asked Questions

Do I need to copyright my music before putting it on Spotify?

Your copyright exists automatically when you create the work. However, we strongly recommend federal registration before distribution to ensure maximum legal protection. Registration takes a few minutes and costs $65.

What is a 360 deal?

A 360 deal gives the label a percentage of all your revenue streams—not just recorded music, but also touring, merchandise, endorsements, and publishing. These deals are common but require careful negotiation to ensure the terms are fair.

How do I collect all the royalties I am owed?

You need to register with a PRO (ASCAP/BMI) for performance royalties, with SoundExchange for digital performance royalties on sound recordings, and with a mechanical royalty collection service like the MLC. A music attorney or administrator can help ensure you are collecting everything you are entitled to.

Need Legal Help?

Contact Agarunov Law Firm for a consultation about your music rights, contracts, or entertainment law matter.

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