A talent manager can be the most important person in an artist's career. A good manager provides strategic guidance, opens doors, and helps the artist navigate the business side of the entertainment industry so the artist can focus on their craft. A bad manager, or a good manager with a bad contract, can take a disproportionate share of the artist's income, restrict the artist's ability to make career decisions, and create legal entanglements that persist long after the relationship ends.
This guide covers the key terms in talent management contracts, the legal distinction between managers and agents under New York law, and what artists should negotiate before signing.
The Manager's Role
A talent manager's responsibilities typically include advising the artist on career direction and long-term strategy, identifying and pursuing opportunities (record deals, publishing deals, brand partnerships, touring, media appearances), coordinating the artist's team (attorney, booking agent, publicist, business manager), overseeing the artist's brand, image, and public presence, and providing day-to-day business guidance. The management contract should define these responsibilities clearly, so both parties understand what the manager is expected to do and what falls outside the manager's scope.
Manager vs Agent in New York
New York's General Business Law Article 11 regulates talent agents and requires them to be licensed by the state. A talent agent is defined as a person who procures or attempts to procure employment or engagements for artists. Managers are not required to be licensed, but they are also not legally authorized to procure employment. This creates a gray area: in practice, managers frequently solicit deals, negotiate terms, and secure opportunities for their clients, activities that technically constitute procurement of employment.
If a manager procures employment without an agency license, the artist may be able to void the management contract and potentially recover commissions already paid. This is a powerful but rarely used remedy. The risk of a procurement challenge depends on the specific activities the manager performed and how involved they were in securing specific deals versus providing general career advice. Your attorney should evaluate this risk and, if appropriate, include provisions in the management contract that address the manager-agent distinction.
Key Terms in a Management Contract
Commission Rate and Base
The commission rate (typically 15% to 20% of gross income) is the most visible term, but the commission base (what income the commission applies to) is equally important. The contract should define whether the commission applies to all income or only entertainment-related income, whether specific income streams are excluded (such as income from a non-entertainment job, touring income if the manager did not help secure the tour, or income from deals that were in place before the manager was hired), whether the commission is calculated on gross income (before expenses) or net income (after expenses), and how income from co-ventures, partnerships, or entities the artist controls is treated.
Term and Renewal
The initial term should be as short as possible while giving the manager sufficient time to demonstrate results. One year with mutual renewal options is ideal for the artist; two to three years with manager-only renewal options is more common. Some contracts include performance triggers for renewal: the manager can only exercise the option if the artist's income reached a specified threshold during the initial term, or if the manager secured a record deal, publishing deal, or other significant opportunity. Performance triggers align the manager's incentives with the artist's goals and provide a natural exit if the relationship is not productive.
Sunset Clause
The sunset clause is one of the most important and most overlooked provisions in a management contract. After the management relationship ends, the manager may continue to receive commissions on income from deals the manager helped put in place. Without a sunset clause limiting this post-termination commission, the manager could receive their full commission rate on income from a record deal for years or even decades after the relationship ends. A well-negotiated sunset clause reduces the commission rate over a defined period: for example, 100% of the commission rate for the first year after termination, 50% for the second year, and 0% thereafter. The sunset period, the declining percentages, and which deals are subject to the sunset should be clearly defined.
Scope of Authority
The contract should define the manager's authority to act on the artist's behalf. Can the manager sign contracts for the artist? Can the manager approve expenditures? Can the manager hire or fire other members of the artist's team? Most management contracts give the manager broad advisory authority but reserve the right to approve binding commitments to the artist. The contract should also specify whether the manager has the authority to collect income on the artist's behalf or whether income should flow directly to the artist (or the artist's business manager).
Exclusivity
Most management contracts are exclusive, meaning the artist cannot retain another manager during the term. The exclusivity should be limited to the specific entertainment fields covered by the contract (music, acting, modeling, etc.) and should not extend to the artist's non-entertainment business activities. If the artist is active in multiple entertainment fields, the contract should specify whether the manager represents the artist in all fields or only in specific ones.
Key Person Clause
If you are signing with a management company (rather than an individual manager), include a key person clause that allows you to terminate the contract if the specific individual who will be managing your career leaves the company. Your relationship is with the person, not the company. If that person is no longer involved in your day-to-day management, you should have the right to leave.
Termination
The contract should include clear termination provisions: the circumstances under which either party can terminate (for cause and, ideally, for convenience with notice), the notice period required, the effect of termination on the sunset clause, and the manager's obligations upon termination (returning the artist's property, providing a final accounting, transitioning relationships to a new manager). Without clear termination provisions, exiting a management relationship can be contentious and expensive.
For broader entertainment law guidance, visit our entertainment law practice page, and for more on entertainment contracts, see our contract negotiation page.
What Managers Owe You: Fiduciary Duties
A talent manager in New York owes fiduciary duties to the artist, including the duty of loyalty (acting in the artist's best interest, not the manager's own interest), the duty of care (exercising reasonable diligence in managing the artist's career), and the duty to account (providing transparent financial reporting on income collected and commissions taken). These duties exist regardless of whether the management contract mentions them, though the contract can define their scope and application in specific contexts.
Common fiduciary duty violations include self-dealing (the manager steers the artist toward deals that benefit the manager financially, such as deals with companies the manager has an ownership interest in), commingling funds (the manager mixes the artist's income with the manager's own funds rather than maintaining a separate account), failure to disclose conflicts of interest (the manager represents multiple artists who are competing for the same opportunity without disclosing the conflict), and failure to account (the manager does not provide regular, detailed accountings of income and expenses). If you suspect your manager has breached their fiduciary duties, consult an attorney promptly, as the remedies may include recovery of commissions paid and damages for lost opportunities.
Red Flags in Management Contracts
Certain provisions in a management contract should raise immediate concerns. A term of five years or more with no performance benchmarks for renewal gives the manager a long-term claim on your income regardless of whether they are delivering results. A commission rate above 20% without a clear justification (such as significant investment by the manager in the artist's development) is above market standard. A sunset clause that continues the full commission rate indefinitely after termination means you could be paying your former manager for years on deals you secured yourself. An exclusive, irrevocable power of attorney authorizing the manager to sign contracts on your behalf gives the manager legal authority to bind you without your approval. Commission on non-entertainment income (your day job, investments, inheritance) is not standard and should be removed.
Beyond the contract terms, evaluate the manager's track record. Ask for references from current and former clients. Understand how many artists the manager represents and whether they have the capacity to give your career adequate attention. A manager with fifty clients is unlikely to provide the same level of service as one with five. The best management relationships are built on mutual respect, clear communication, and aligned incentives, and the contract should reflect all three.
Choosing the Right Manager
The right manager is not necessarily the most experienced or the most connected. The right manager is someone who understands your vision, is passionate about your project, has the time and resources to devote to your career, and whose skills complement your own. An artist who is excellent at creating music but struggles with business decisions needs a manager who excels at strategy and negotiation. An artist who is business-savvy but needs industry connections needs a manager with a strong network. The contract formalizes the relationship, but the relationship itself is what determines whether the partnership succeeds. Choose your manager carefully, and then protect the relationship with a fair, well-drafted agreement.
Frequently Asked Questions
What does a talent manager do?
A talent manager advises the artist on career strategy, coordinates with other members of the artist's team (attorney, agent, publicist, business manager), helps secure opportunities (record deals, brand partnerships, appearances), oversees the artist's brand and public image, and provides day-to-day guidance on business decisions. Unlike a talent agent (who is licensed and regulated under New York's General Business Law), a manager is not legally permitted to procure employment for the artist in New York, though this line is frequently blurred in practice.
What is a standard management commission rate?
The standard management commission in the music industry is 15% to 20% of the artist's gross income. Some managers negotiate higher rates (up to 25%) for artists who are early in their careers and require significant development investment. The commission rate, the income streams it applies to (all income vs. entertainment income only), and any exclusions (such as income from a day job unrelated to the artist's entertainment career) are all negotiable. Your attorney should ensure the commission applies only to income the manager actually helped generate.
What is a sunset clause in a management contract?
A sunset clause defines the manager's right to continue receiving commissions on income earned after the management relationship ends. Without a sunset clause, the manager's commission could continue indefinitely on deals they helped put in place during the term. A typical sunset clause reduces the commission rate over a defined period after termination: for example, the full commission rate for the first year after termination, half the rate for the second year, and nothing thereafter. The sunset period, the declining commission percentages, and which income streams are subject to the sunset are all negotiable terms.
How long should a talent management contract last?
Initial terms of one to three years are standard, with options for the manager to extend. Artists should negotiate for shorter initial terms (one year) with renewal options that are mutual (both parties must agree to continue) rather than unilateral (only the manager decides). Some contracts include performance benchmarks that must be met for the manager to exercise a renewal option, such as a minimum income threshold or the securing of a record deal. Avoid contracts with initial terms of five years or more unless the manager has a proven track record with artists at your level.
What is the difference between a manager and an agent in New York?
Under the New York General Business Law, a talent agent is a licensed individual or company authorized to procure employment for artists. Managers are not licensed and are not legally permitted to procure employment. In practice, many managers do solicit and negotiate deals for their clients, which technically violates the licensing requirement. If a manager procures employment without an agency license, the management contract may be voidable, and the manager may be required to return commissions. This is a complex area of law, and your attorney should review both the management contract and the manager's activities to assess the risk.
Can I fire my manager before the contract expires?
Terminating a management contract before the term expires depends on the contract's termination provisions. Some contracts allow termination for cause (material breach, failure to meet performance benchmarks, manager's incapacity), and some include a termination-for-convenience provision (either party can terminate with notice). Without a termination provision, the artist may be bound for the full term. Even if you can terminate, the sunset clause may require you to continue paying commissions on existing deals. Your attorney should negotiate termination rights before you sign, not after a dispute arises.
Should I have a lawyer review my management contract?
Yes. Management contracts govern one of the most important relationships in an artist's career. The commission rate, the term, the sunset clause, the scope of the manager's authority, and the termination provisions all have long-term financial and career consequences. A management contract that is unfavorable can cost an artist hundreds of thousands of dollars in commissions paid on income the manager did little to generate. An entertainment attorney ensures the contract is fair, protects your interests, and gives you a clear path to exit if the relationship does not work out.
Reviewing a Management Contract?
Our entertainment attorneys review and negotiate management contracts for artists throughout New York and New Jersey. Schedule a free consultation.
Contact Us Onlineor call (212) 920-5989